![]() ![]() As such, after The Lizard's six performances in 1910, Lybeck took possession of the autograph score and parts. The contract Sibelius signed with Lybeck in 1909 stipulated that the latter would, in exchange for a fee, own the rights to the incidental music. Īt the premiere, the ensemble consisted of seven musicians: two first violins (including Victor Carnier, who took the violin solo in Tableau 1), one second violin, one viola, two cellos (one of whom was Bror Persfelt ), and one contrabass. The fact that Sibelius had contributed original music tended to increase any play's box office. The Swedish actresses Valborg Hansson (left) and Karin Molander (right) created the roles of Adla and Elisiv, respectively, for the 6 April 1910 premiere at the Swedish Theatre. ![]() A typical performance lasts about 17 minutes. Accordingly, it has been recorded only a few times, with Juha Kangas and the Ostrobothnian Chamber Orchestra having made the world premiere studio recording in 1994. In the intervening decades, The Lizard has entered neither the Finnish nor the international repertories, and its significance is therefore primarily as a historical curiosity: Sibelius's lone theatre score for chamber ensemble. ![]() The Lizard comes from Sibelius's "crisis period" (1908–1912) and is therefore a 'psychological' work comparable to the string quartet Voces intimae (1909) and the Fourth Symphony (1911). Stylistically, Sibelius deploys chromaticism to achieve a darkly-colored and dream-like palette. The composer thought highly of his contribution to The Lizard, describing it to his patron and confidant Axel Carpelan as "one of the most exquisite works I have written". Scholars speculate that this is because the music is dependent on the play's action. Although it was Sibelius's habit to excerpt suites from his theatre scores (as he had with, for example, King Christian II in 1898, Pelléas et Mélisande in 1905, Belshazzar's Feast in 1907, and Swanwhite in 1908), he never did so with The Lizard. Nevertheless, the production folded after just six performances, and The Lizard was never revived in Sibelius's lifetime. The critics praised Sibelius's music as having fit the mood of the play well. During Act II, Sibelius conducted the chamber ensemble, which for effect he positioned behind the stage. The play premiered on 6 April 1910 at the Swedish Theatre in Helsinki Gustaf Molander and Karin Molander created the roles of Alban and Elisiv, respectively, while the Swedish actress Valborg Hansson guest starred as Adla. Sibelius contributed music for two scenes in Act II: Tableau 1, in which Alban plays his violin at the family burial chapel, hoping to summon his deceased relatives and Tableau 3, in which Elisiv during a fever dream hears "strange" music and, later with three Eyringe ghosts, ponders the thin line between life and death. The story, which takes place at the Eyringe family estate, is a romantic triangle: Alban, an overly-sensitive nobleman with an artist's soul, is engaged to Elisiv, the tender and virtuous nurse who had cared for his late father however, he struggles to resist the carnal advances of his older cousin Adla (her name is a near homonym for ödla, the Swedish word for lizard), a cunning temptress whose plot to seduce him turns lethal. The Lizard (in Swedish: Ödlan), Op. 8, is a theatre score for string ensemble-comprising six to nine musicians-by the Finnish composer Jean Sibelius he wrote the music in 1909 to accompany the Finnish author Mikael Lybeck's 1908 three-act, Symbolist play ( skådespel) of the same name. ![]()
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